Music In My Blood (Produced By Cassidy)Ĭ.A.S.H. Ar-Ab (Produced By Cassidy And Rulet Records)ġ2. Red Cafe (Produced By Stoopid On Da Beat)ġ1. Junior Reid And Notch (Produced By Cassidy And Vinylz)ġ0. Hate Me Or Love Me (Produced By Cassidy And Top Notch)Ġ9. Drumma Bass (Produced By Cassidy And Top Notch)Ġ8. All Day All Night (Produced By Cassidy And Neyo Da Matrix)Ġ6. One Shot (Produced By Cassidy And Top Notch)Ġ5. Paper Up (Produced By Cassidy And Neyo Da Matrix)Ġ4. It simply zaps any and all importance from the track, leaving a shell of a song that could have been performed by any subpar pop singer.Ġ2. The effects-filled “I Did It For Love” features the aforementioned Sean Garrett and pulses with an irritating stab at a club vibe and one of the most egregious uses of Auto-Tune I’ve heard on a pop record. Nothing particularly stands out, apart from studio sheen, and BoA certainly doesn’t prove herself to be a performer to take note of with this U.S. It’s dreary vocoder stuff written by a team of writers and performed by an inexpressive, plain vocalist.

With production from Sean Garrett, Brian Kennedy and Bloodshy & Avant, BoA doesn’t stand out from the crowd in any way, shape or form. The release of a “deluxe” version of BoA provides more opportunities to explore Boa Kwon’s American debut with the “soft comfort” of a couple of bonus tracks and the radio edit of the decidedly languid “Energetic.” Her sound is well-produced and cleanly manufactured, as though the songs were pieced together in a lab somewhere before being committed to CD. While the 22-year-old may have been popular for achieving popularity at such an early age, there’s little to BoA that hasn’t been seen or heard before in the pop world. Using her stage name, BoA (Beat of Angel) uncorked her brand of standard pop and dance music for American audiences. With the release of BoA in March of 2009, Boa Kwon hit the shores of the United States.

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